(1/17)
Barbara Strasen, Rococo Modo (2017), Acrylic, ink and collage on Yupo mounted on museum board, 36 x 24 inches

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(2/17)
Barbara Strasen, Deconstructed (2017), Acrylic, ink and collage on Yupo mounted on museum board, 24 x 24 inches

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(3/17)
Josie Tolliver Shaw, WE HAVE ICE (2021), Acrylic on canvas, 50 x 36 inches

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(4/17)
Josie Tolliver Shaw, Phifi (2021), Acrylic on canvas, 60 x 48 inches

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(5/17)
Carole Eisner, Egon (1986), Acrylic on Linen, 33 x 50 inches

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(6/17)
Charles Buckley, Airplane (2015), Acrylic on Canvas, 12 x 36 inches

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(7/17)
Charles Buckley, Listen (2012), Acrylic on Canvas, 36 x 53 inches

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(8/17)
Charlotta María Hauksdóttir, Ramona Street (2013), Archival pigment print, 30 x 40 inches

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(9/17)
Nazanin Noroozi, Mount Damavand (2019), Cyanotype and watercolor on paper, 17 x 21 inches

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(10/17)
Silvina Mamani, Resting in Blue (2006), Acrylic, 22 x 38 inches

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(11/17)
Katherine Curci, Irrepressible 20 (2020), Charcoal, conté crayon on paper, 10 x 14 inches; 15 x 19 inches

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(12/17)
Leah Oates, Transitory Space, Brooklyn, Prospect Park, Natural Dots II (2015), C-Print, 11 x 14 inches;12 x 15 inches

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(13/17)
Carole Eisner, Armadillo (1970), Scrap metal, 5 x 27 x 8.5 inches

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(14/17)
Leah Oates;Leah Oates, McNab's Island #56 (2015), C-Print, 16 x 24 inches

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(15/17)
Carole Eisner, In Bloom (1970), Scrap metal and door knobs mounted on wood, 5 x 28 x 8.5 inches

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(16/17)
Leah Oates, Transitory Space, Brooklyn, Prospect Park, Natural Dots III (2015), C-Print, 11 × 14 inches

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(17/17)
Carole Eisner, Coiled (1975), Copper, 31 x 23 x 34 inches

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