(1/17)
James Isherwood, Desert Coast (2018 – 2019), Acrylic on paper, 12.25 x 16.125 inches;17 x 21 inches

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(2/17)
James Isherwood, Fragrant Silence (2018), Acrylic on paper, 12.25 x 16.125 inches;15.25 x 19.25 inches

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(3/17)
Number Hill (2007), C-Print, 28.25 x 35 inches

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(4/17)
Charles Buckley, The First and Last Date (2020), Graphite on paper, 10.5 x 11 inches;19 x 24 inches

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(5/17)
Rachel Burgess, The Ships Come In (2017), Monoprint on paper, 39 x 56 inches;41 x 59 inches framed

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(6/17)
Charles Buckley, The View from Dan's Place (2020), Acrylic ink on paper, 13 x 19.25 inches

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(7/17)
James Isherwood, Waking Dream (2020), Acrylic on Paper, 15 x 20.25 inches

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(8/17)
Rachel Burgess, Waves (2020), Monotype on two sheets of paper, 37 x 52 inches

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(9/17)
Rachel Burgess, West (2019), Monotype on two sheets of paper, 39 x 56 inches

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(10/17)
Charles Buckley, Willie Mays Hits an RBI Triple off Whitey Ford at the 1959 All Star Game (2020), Graphite on paper, 10.5 x 14 inches

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(11/17)
Charles Buckley, Grandma's TV (2020), Acrylic ink on paper, 14 x 20 inches

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(12/17)
Charles Buckley, Mom (Lake Hemet?) (2020), Pencil on paper, 13 x 18 inches

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(13/17)
Rachel Burgess, Lighthouse (2016), monotype on two sheets of paper, 39 x 56 inches

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(14/17)
James Isherwood, New Understanding (2020), Acrylic on Paper, 22.75 x 30.25 inches

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(15/17)
Maria Passarotti, Concealed Vista (2007), Archival pigment print, 28.25 x 35 inches

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(16/17)
Maria Passarotti, Herd (2007), C-Print, 28.25 x 35 inches

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(17/17)
Maria Passarotti, Western Style Town (2007), C-Print, 28.25 x 35 inches

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